Even before you hear a note of Spud Cannon’s third album, Good Kids Make Bad Apples, the band already have a couple of things in their favour.
Folk singer-songwriter Chloe Foy has been building up a steady momentum for several years now, and here she truly delivers with a dazzling set of versatile, emotionally reflective work on the wonderfully titled, Where Shall We Begin, her debut LP out this Friday, 11th June.
Squid are one of those bands whose output has been steadily growing in quality through the last couple of years, which makes their debut album Bright Green Field one of the 2021 records I was awaiting most eagerly. It contains some familiar tunes and a good number of bold new ideas, packaged together in an […]
Some albums have a standing almost more as a work of performance art than one of music, and this The Sticky Fingers, the work of Berlin-based singer-songwriter Albertine Sarges with her newly-formed band of the same name, very much feels like one of those. Not only the lyrics are heavily conceptual in nature, touching upon […]
The highly anticipated second album by Shame has finally arrived, and it confirms the impression that 2021 has started with a bang and promises to be a very good year for UK music. The South London band has risen to the challenge of the sophomore long player with the same bold attitude they bring to […]
LICE have really come a long way. Originally hailed as punks, the Bristol band soon after took a detour by unexpected routes into post-punk territories, and now they have emerged after two years of work with a concept-heavy album that is something else entirely. The album comes accompanied by a booklet – in a style […]
While it is easy to encapsulate 2020 as a year of challenge and global crisis, the last twelve months have also spurred a great deal of reflection, community resilience and spirit. Initiatives like Tim’s Twitter Listening Party, Snow Patrol’s Saturday Songwrite and Bandcamp’s Bandcamp Fridays have shown what pure intention and dedication can create, especially […]
Edinburgh born, London-based musician Genevieve Dawson has been impressing our ears ever since her debut EP release, Things My Mother Tells Me. Since then she’s gone from strength to strength, and last month released her debut LP, Letters I Won’t Send via Hertha Records, an independent co-operative label based in South East London for women and […]
Southend-on-Sea alt rock outfit Asylums return this month with their third LP, Genetic Cabaret, released on the band’s own independent label, Cool Thing Records. It’s both testament of their dedication to the DIY ethos that they’ve built their name on, and also to the concept of the album as an art form. In an age […]
It’s often said that the second album is the hardest in the career of any artist, and it’s even harder when it follows a debut album that has propelled you to being one of the highlights in the current rock scene. The Blinders have definitely enjoyed such a spot since the release of their first […]
The sun’s been shining for weeks, the sky’s remaining blue – we should be on the cusp of a spectacular festival season. However, the exceptional circumstances that 2020 will always be remembered for has sadly put thoughts of gathering in fields and tents and taking away special memories of performances and artists we caught up […]
We’re living in confusing times. Lockdown has disturbed our natural rhythms. There’s time to think; perhaps too much time, and not all the thoughts are welcome. Looking for something to soundtrack this state of uncertainty, the unsettling internal dialogue, the wonder of what’s next, and the quiet reflection?
Over the last couple of years, and over a good number of brilliant live performances, Indian Queens have done something that every band should do before releasing their first long player: they have built very strong foundations for it to stand on. They have refined their sound, made it immediately recognisable in all its trademark […]
If there’s a band in the British alternative music scene right now that has had an impressive growing curve in the last couple of years, that band has to be Sorry.
Three years after a very tight, very eloquent debut, eclectic Glaswegians Catholic Action are back with a second album that confirms some of the trends from their first outing while attempting in some ways something entirely different. In its eleven tracks, short and sweet for the most part – the longest song, perfectly situated at […]
Debut albums often combine a collage of songs written and collected over a period of time, stitched together with the eagerness of infancy and the latitude to dream big, a first record can be anything it wants to be. Here in 2020, after many years of building the mechanics through endless streams of touring and […]
It’s been a year of double albums, retrospectives and optimistic introductions—in between we’ve set the record straight with Taylor Swift, campaigned for change with Greta Thunberg (via The 1975 and Fatboy Slim), and gone back to basics with Bruce Springsteen.
Despite labeling themselves “psychedelic indie-pop”, the Sheffield-based indie project Mr Ben and the Bens is much more than that, and the range and depth of their sound is on full display in their new album, Who Knows Jenny Jones? When we talk about music, we often describe it in terms of genres, of influences, of, […]
Two years after their last release, Seattle indie rockers Great Grandpa are back with something that sounds decidedly different from their previous effort, deceptively softer at face value but with a dark depth immediately underneath that surfaces in more than one point of this Four of Arrows, a long player getting its name from a […]
There are artists who approach their first long-player cautiously and others who like to go in all guns blazing, and even on the very first listen it quickly becomes apparent that FEET are definitely part of the latter group. The Coventry band’s debut album, What’s Inside Is More Than Just Ham, more than keeps the promise […]